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Two Women and Horse, original oil painting on linen by Sahar Dourgham
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Two Women and Horse

Sahar Dourgham

Egypt, 2021

Oil on Linen, 150 x 300 cm

CHF 4'000.00

+ CHF 920.00 shipping, insurance & import duties

About this artwork

Two figures, one rendered in warm reddish tones at left, another in cool blue grey at right, echo one another in matching reclined poses across a wide, horizontal canvas, a large horse's form, orange and warm bodied, filling the space between them in a similarly rounded, simplified silhouette. The palette shifts gradually from deep red through orange to blue across the composition's width, unifying figure, animal, and ground within a single continuous field of warm, blended color.

Dourgham builds harmony here through repetition rather than contrast, the two women's mirrored poses and the horse's rounded bulk sharing the same simplified, curving vocabulary of form, so that animal and figures read as variations on a single rhythm rather than distinct subjects placed side by side. The horse's wild strength, its solid orange mass anchoring the canvas, sits not opposed to the women but continuous with them, the painting's warmth suggesting an ease between animal and human body that comes from shared form rather than posed encounter.

Exhibition history

42nd General Exhibition, Palace of Arts, Egyptian Opera House, Cairo, Egypt, 2021

“Adjacent Spaces”, group exhibition, Mahmoud Said Museum, Alexandria, Egypt, 2021

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Actual size: 150 x 300 cm

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About the artist

Sahar Dourgham is an Egyptian contemporary visual artist and professor of painting whose multidisciplinary practice is driven by color, experimentation, and an exploration of inner experience. Her artistic journey has encompassed painting, mixed media, object making, photography, video, and installation before returning to painting as her primary medium.

Influenced by nature, living creatures, primitive cultures, and travel through wild environments, her work combines flowing expressive forms with compositions inspired by the human body and animals. Rooted particularly in Abstract Expressionism, her practice reflects a continuous exploration of color, gesture, and spontaneous form as expressions of emotion and the natural world.

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