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Primitive Creature 1 — Watercolor on Paper, Sahar Dourgham
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Primitive Creature 1

Sahar Dourgham

Egypt, 2019

Watercolor on Paper, 72 x 61 cm

CHF 1'330.00

+ CHF 360.00 shipping, insurance & import duties

About this artwork

Loosely bounded shapes, speckled with fine dark marks and washed in translucent lilac, ochre, and rose, cluster and overlap across a field of soft green, their rounded, organic contours drawn in a quick, spontaneous line rather than careful outline. No two forms repeat, some swell into curves suggesting hip or breast or belly, others remain more abstract, elongated or oval, scattered with an increasing lightness toward the edges of the canvas and leaving an open, breathing space at the composition's center.

Dourgham builds the painting from a diverse range of brushstrokes, spontaneous marks set against the soft transparency the watercolor itself imposes, warm ochre and rose colliding with cool green and blue across the surface. The primal bodies she describes, drawn from ancient writings on the First Woman's fertility and strength, remain deliberately unfixed, their scattered, floating arrangement around the canvas's near palpable void suggesting origin itself as something still forming rather than a single, settled shape.

Exhibition history

“Code Zero”, solo exhibition, Faculty of Fine Arts, Alexandria University, Alexandria, Egypt, 2019

“Exiting Code Zero”, solo exhibition, El Bab Gallery, Museum of Modern Art, Cairo, Egypt, 2023

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About the artist

Sahar Dourgham is an Egyptian contemporary visual artist and professor of painting whose multidisciplinary practice is driven by color, experimentation, and an exploration of inner experience. Her artistic journey has encompassed painting, mixed media, object making, photography, video, and installation before returning to painting as her primary medium.

Influenced by nature, living creatures, primitive cultures, and travel through wild environments, her work combines flowing expressive forms with compositions inspired by the human body and animals. Rooted particularly in Abstract Expressionism, her practice reflects a continuous exploration of color, gesture, and spontaneous form as expressions of emotion and the natural world.

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