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The Red Mammoth, original oil painting on linen by Sahar Dourgham
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The Red Mammoth

Sahar Dourgham

Egypt, 2023

Oil on Linen, 130 x 130 cm

CHF 1'940.00

+ CHF 520.00 shipping, insurance & import duties

About this artwork

A massive red form, its heavily textured, weathered surface built from layered, glazed color ranging from deep crimson to flecks of gold, dominates the canvas, its rounded hump and sloping haunches pressing against the frame's edges as though the composition itself were too small to contain it. Legs rendered in loose, gestural strokes disappear into a pale green ground below, while an ochre yellow field of scratched, cave painting like texture rises behind, browns and golds bleeding into the creature's own red.

Dourgham builds the mammoth's scale not through literal size relative to a landscape but through confinement, the animal's bulk crowding the entire frame until there is no room left for anything but its own overwhelming presence. The rough, abraded surface, closer to ancient rock art than to painted representation, gives the creature a weight that feels excavated rather than invented, a stubborn, primal force rendered in the same red that ran through the earth long before either animal or artist arrived.

Exhibition history

“On the Edge”, solo exhibition, Mashrabia Contemporary Art Gallery, Cairo, Egypt, 2024

“Empower Her Art Forum”, Mashrabia Contemporary Art Gallery, Grand Egyptian Museum, Giza, Egypt, 2025

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Actual size: 130 x 130 cm

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About the artist

Sahar Dourgham is an Egyptian contemporary visual artist and professor of painting whose multidisciplinary practice is driven by color, experimentation, and an exploration of inner experience. Her artistic journey has encompassed painting, mixed media, object making, photography, video, and installation before returning to painting as her primary medium.

Influenced by nature, living creatures, primitive cultures, and travel through wild environments, her work combines flowing expressive forms with compositions inspired by the human body and animals. Rooted particularly in Abstract Expressionism, her practice reflects a continuous exploration of color, gesture, and spontaneous form as expressions of emotion and the natural world.

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