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Primitive Creature 2 — Acrylic on Canvas, Sahar Dourgham
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Primitive Creature 2

Sahar Dourgham

Egypt, 2019

Acrylic on Canvas, 150 x 118 cm

CHF 1'500.00

+ CHF 480.00 shipping, insurance & import duties

About this artwork

Thin washes of white paint run vertically down a sienna brown ground in the painting's upper two thirds, the color cutting off in the final third to leave pale pink alone, while charcoal outlines a single repeated unit, a standing female form, in varying proportions throughout, full in some places, slender and elongated in others. Three bodies sit balanced near the center against the brown, three more scattered with differing movement below, and two further figures near the base seem to strain upward, their outlines reaching against the drip of paint that falls around them.

Dourgham builds the painting entirely from repetition and variation of this single charcoal unit, the woman's body never drawn the same way twice yet always recognizable as the same form reconsidered. The painting's division, sienna above, pink below, paired with the figures' shifting postures, lets the work hold two readings at once, a static field of repeated forms and a composition in perpetual motion, the bodies caught somewhere between standing still and reaching up.

Exhibition history

“Code Zero”, solo exhibition, Faculty of Fine Arts, Alexandria University, Alexandria, Egypt, 2019

“Exiting Code Zero”, solo exhibition, El Bab Gallery, Museum of Modern Art, Cairo, Egypt, 2023

“Women”, Moulk Gallery, Alexandria, Egypt, 2026

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About the artist

Sahar Dourgham is an Egyptian contemporary visual artist and professor of painting whose multidisciplinary practice is driven by color, experimentation, and an exploration of inner experience. Her artistic journey has encompassed painting, mixed media, object making, photography, video, and installation before returning to painting as her primary medium.

Influenced by nature, living creatures, primitive cultures, and travel through wild environments, her work combines flowing expressive forms with compositions inspired by the human body and animals. Rooted particularly in Abstract Expressionism, her practice reflects a continuous exploration of color, gesture, and spontaneous form as expressions of emotion and the natural world.

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